Molly McCormack from Louisville, Kentucky has been passionate about playing, performing and teaching on mountain dulcimer for many years. Molly's musical interests are varied. She performs traditional folk music as well as blues, contemporary and original tunes on the mountain dulcimer.

Molly can get your toes tapping with upbeat tunes, and she can touch your heart when she sings. Molly has had the pleasure of teaching and performing at many folk music and dulcimer festivals around the country. She loves to share her love of music and playing the mountain dulcimer with students of any age on any level. 

Chattanooga multi-instrumentalist and mountain dulcimer maestro Butch Ross has tackled everything from Radiohead to Bach and come away with a renewed appreciation for what the humble dulcimer is capable of. No genre is off-limits, nor is there a limit to what Ross has envisioned for this specific instrument. The dulcimer is an unassuming thing, with a handful of strings and a history that feels embedded in the lineage of countless Appalachian musicians. But Ross has taken it and made it something more, something remarkable and versatile. His music is born from his respect for its abilities, a respect born from the years he's spent prying apart its pieces and discovering new sounds where none existed before. It is this groundbreaking and iconoclastic approach that caused ukulele-virtuoso Jake Shimabukuro to comment, "Now I know what a dulcimer is supposed to sound like."

Ross had been a touring singer/songwriter when he was given a mountain dulcimer as a birthday present. At first, the instrument was a curiosity but before too long it became his instrument of choice. A chance meeting with musician, author and producer Robert Force (himself a dulcimer iconoclast) led to the 2005 release The Moonshiner's Atlas and a complete change of focus.

Since then Ross has become an in-demand performer at folk and dulcimer festivals through the US and Europe. He's performed at such festivals as the Central Ohio Folk Festival, Falcon Ridge Folk Festival, the Lancaster (UK) Music and the prestigious Philadelphia Folk Festival.

Ross' most recent release is called "They Should All Be This Easy." It's a collection of original instrumental tunes, unexpected arrangements of traditional material and quirky cover of Peter Gabriel's "Solsbury Hill". It's an eclectic mix that led Times-Free Press reporter Joshua Pickard to call it "a sound both experienced and timeless, a result of its celebrated past and boundless future."

DJ Hamouris is a composer, teacher, recording artist, and community music organizer. She teaches mountain dulcimer at The Freight in Berkeley, CA, and in her east bay home. DJ founded the Berkeley Dulcimer Gathering in 2013, produced the first online dulcimer festival in 2020, and co-founded the Berkeley Dulcimer Orchestra in 2014 with Steve Eulberg. Since March 2020 she has participated in over a dozen global virtual dulcimer festivals, and produced Dulcimoon – a women-led virtual dulcimer festival in 2023. Musically versatile, she performs with her husband, Buffalo, as The DulciMates. DJ has produced 6 recordings and "Indian Summer," a book of her music and original arrangements for mountain dulcimer. The “Baritone Folio”, compositions and arrangements for baritone dulcimer, was released in Spring, 2023. Learn more about DJ’s recordings, books, and online classes at djhamouris.com/

The Lil Rev Story: 

I grew up in Milwaukee, WI.

Graduating from John Marshall High School in 1987 and The University of Wisconsin Milwaukee in 1993 {with a B.S. Degree in Community Education}. 

My musical inspiration started when I was just a kid listening to my dad's record collection. 

Later on, I had an early morning paper route,  and it afforded me the chance to purchase my first guitar, along with some rock n roll records and a few guitar lessons to boot.

That was 38 years ago, and I've lived each day,  to listen to,  play,  perform and teach music any chance I can get. It still amazes me all these years later that I am able to make my living doing what I love! 

I first heard Bruce Springsteen sing Born to Run and Thunder Road in 1979 {I was 11 years old} and I've never been quite the same ever since.

Music had to be a part of my life! 

After hearing Woody Guthrie sing I Ain't Got No Home, when I was 14, I had to have an acoustic guitar! More importantly, Woody posed a question in his music, that has always haunted me...."What does it mean to be an American?" This is the same question, that, I'll spend the rest of my life trying to answer in story and song. 

Eventually, I heard Hank Williams, Johnny Cash and Bob Dylan, and man, once I did, the deal was sealed, I was bound to become a musician come hell or high water! 

From 1993 until 2000, I toured the Midwest as a troubadour, performing at coffee shops, nursing homes, street corners, house concerts and community festivals both solo and later on with the Milwaukee Super group Frogwater. During this time, I played at so many nursing homes, assisted living centers and veterans homes that my friends jokingly called me, The King of The Nursing Home Circuit!  For the record, I was, and am, proud of that title! I love being with our elders!

Music has brought romance, adventure, wisdom, sustenance and  fellowship into my life in a way that nothing else could have. It is the wellspring from which I drink each morning that I am blessed to wake unto a new day. 

Milwaukee, WI was a great town to come of age in. With lots of bars, coffee shops and the lower east side street corners to busk on summer nights. 

From Folk Legends like the late Larry Penn, to musical heroes like Milwaukee's Harp Master Jim Liban, all of these people inspired me and gave me something that could not have been had anywhere else but in Milwaukee. To these folks, some living and some now gone on, I owe a debt of gratitude for encouraging me in some small way, not to give up on the music, even if,  at times it can be challenging. 

In the early 90's I was given an old beat up ukulele by a fan. I didn't know it at the time, but this act of kindness, would alter my life in ways I could never have imagined. With each passing year, I began to become more and more enamored with the instrument, researching, collecting ephemera, connecting with other players around the country and eventually recording ukulele records and writing books. I like to think it was all meant to be. The ukulele felt like being with an old friend and always left me a little lighter than when I first lifted it up into my arms. To this day, my work largely revolves around teaching, performing, writing and recording ukulele themed projects. I am particularly interested in the ukulele's role in old time music and blues styles, but I also enjoy writing my own songs too. 

As of 2020, my music career largely revolves around touring North America, teaching at music camps, festivals, and concert series, as well as presenting my one man musical history shows like:  scraps of quilting music,  jews n blues, and  the jews of tin pan alley. 

I perform about 125-150 shows a year, sometimes alone, and sometimes when I'm lucky, my wife Jenna and daughter Mariela travel with me. 

Locally,  I run a ukulele club and annual ukulele festival and I can often be found teaching music at Mead Library in Sheboygan, as well as Brass Bell Music Store in Milwaukee. In addition to my solo endeavors, I occasionally work with John Nicholson of the Celtic duo Frogwater  as well as with Milwaukee Guitar & Amp Maven Jawbone Jimmy Eannelli as a duo. In Sheboygan, I can often be found performing with local favorites Mike Ammons and The Water Street Hot Shots as well as with local Fiddler Tim Dekker. 

Thank you for taking the time to read about my musical journey, 

I do hope to see you at a class or concert, 

As my harmonica mentor Jim Liban once told me..."It's better to be seen than viewed."